This essay proposes to analyse contemporary theories of work looking at issues faced by cultural workers in the field of Sound Art in Brazil. General issues will be highlighted, and underlying factors in those issues that impact feminist artists in specific will be identified. On the last part of the essay, it will be explored how the Feminist organisation Sonora, through their policies and activities, acts on those localized issues. It will be demonstrated how such actions resonate beyond their local, ultimately contributing as one of the driving forces shaping the emerging field of New Brazilian Sound Art.